These 10 episode seasons are killing me, who’s responsible for us not getting 24 episodes?
Even linear television dropped to 16, then further to 12 or even ten. Some serialized sci-fi shows are 6.
One thing to keep in mind, especially with science fiction and fantasy shows is that they take an enormous amount of time and resources to make in UHD. It’s a very unforgiving medium that shows up every tiny flaw in prosthetic makeup, costume construction and set and prop fabrication. The primary shooting takes much, much longer for each episode, 1.5 to 2 times what it did in the 90s.
Yes, they can take short cuts but there is a price for it in terms of quality. As a concrete example, Picard season three decided to go with ambient lighting from the set rather than move and recalibrate lights for every side of every scene (usual practice). It reduced the amount of time needed to shoot each scene, as they could go immediately from one side and scene to another. It did however mean that the final product was darker than many older fans preferred, especially if they didn’t have the newest OLED televisions.
Another thing to keep in mind is that the actors want to be able to work on other projects or have time for their families. Many shows have more established cast members simply because working on Star Trek no longer means locking into a single show for seven years of their careers.
Anson Mount has said publicly and repeatedly that he found doing the 14 episode second of Discovery took too much of his life. He particularly noted that the bridge filming days were very long and arduous, even though he enjoyed being together with the whole main cast for them. It’s known then that he personally wouldn’t go for a longer season.
Yeah. Hearing stories from TNG and other shows of the era, filming took a lot of long days and the show would crank out one episode per week. Even then, you could tell that there were some episodes written to give actors a break.
One thing to keep in mind, especially with science fiction and fantasy shows is that they take an enormous amount of time and resources to make in UHD. It’s a very unforgiving medium that shows up every tiny flaw in prosthetic makeup, costume construction and set and prop fabrication. The primary shooting takes much, much longer for each episode, 1.5 to 2 times what it did in the 90s.
Yes, they can take short cuts but there is a price for it in terms of quality.
So does film. TNG was shot on 35mm, and even if you assume they were using cheap, shitty film with large grain, that’s still equivalent to well over 3,000 lines of vertical resolution in digital terms. Drop some extra cash on decent 35mm and it makes UHD look like a joke. Obviously I’m aware that they were then converting it to videotape for TV and expected certain shortcuts to be blended by crushing the resolution, but we can watch the film transfers officially now—and bootlegs have been circulating since before that, too, and the show looked fine. All that is to say that TNG was shot with the same considerations in mind that SNW has, but they cranked out 20+ episodes a season for 7 years and it still holds up (especially after season 1).
I don’t disagree with what you’re saying, just the premise: they could do it the way they used to, but people who wear expensive suits would rather spend the money on themselves. Let’s not entertain the idea that it was ever anything else. The reason I asked who’s responsible is not because I don’t understand the motivation, I do, it’s money. I asked so I can smear dog shit on the door handle of his car.
I work in the film industry and can say, with certainty, that TNG was not shot with the same consideration.
Television back then knew it was being mastered for SDTV and the artists had a good idea of what it meant they could get away with compared to something that would be screened in 35mm. Final screening medium has always been the most important consideration, not capture medium.
Audiences have also gotten less forgiving of visual quality and less willing to suspend disbelief as the bar for quality has steadily risen. It means that shows are both working on higher definition target mediums and under more scrutiny than ever.
Like, I love TNG but go watch and tell me that it looks half as good as SNW.
Yes the original film exists, but you can also see the edges of the prostheses, the wear on the sets, and the ripples in the seams of costumes (as regrettably you can see in most seasons of Picard). People watch remasterd TNG anyway, but the rough edges show.
Red and Panavision capture everything all the time now.
Yes, people have worked to that production norm in cinema for nearly a century now, but very few cinematic features are filmed in a week.
Hey, I get that you’re angry, and I totally agree that not enough of the return is going to the creators and crews, but those same folks involved in production are talking about an unrealistic norm of gruelling long hours in production. They need both decent pay and residuals and humane production schedules.
Right, but my point is that it still holds up even then. It still holds up with the original effects, too. Maybe the death of the mid-budget production is the real issue here, because if I were running the show I would aggressively slash the fuck out of the VFX budget to make room for additional episodes over a longer shooting schedule, and the idea of sacrificing eye candy and having the show just look decent doesn’t really fly anymore. I think even a showrunner with serious weight to throw around would still promptly be fired for shooting a science fiction show that went 5 to 10 episodes without a major action setpiece because he wanted to film people calmly talking about ethical dilemmas in a room with flat, even TV lighting.
I agree with your points about overworking the cast and crew, but that’s not actually necessary either: it’s well within Paramount’s power to spend the money on doing it right and take the time on doing it right and treat people like they aren’t animals. And if wishes were horses, beggars would ride.
Ultimately, there is one person at whom the buck stopped and the decision was made—there always is—and I still want to smear dog shit on the door handles of his car.
Don’t get me wrong, SNW is great: in my mind, it’s the first good Star Trek show to broadcast since VOY went off the air (not a high bar to clear, I know, but it’s still meant as a compliment), and I just wish there was more of it instead of the other stupid shit Paramount incinerates money on.
Isn’t that why you have bottle episodes that keep things more like a stage show (some of best and some.of worst are bottles) and also you have episodes centered on part of the cast maybe a few to give others a break then another charecter has an episode. Even in the old series they found ways around the issues.
Bottle episodes don’t perhaps save as much as they used to.
With the UHD, the bottle episodes involve a great deal of interior ship scenes with extensive lighting issues. Anson Mount has talked about ‘bridge days’ as being some of the most gruelling shooting days on Discovery.
Yes can bottle episodes save on new/redressed sets and new props, but they also cause more wear and tear on the sets themselves. The makeup challenges are no less although SNW has just has Spock with prostheses within the main cast.
In the end, we have to accept that for new shows to be visually engaging for new fans, they need to be up to the same product standards as other new science fiction. That standard is very high and there are few short cuts.
I don’t think 24 episodes will be happening any time soon, but it would be nice to have 12-14. Ten is so few, and with the ongoing strikes, it’s going to be a while until another season happens.
I dunno, I’d rather get 10 episodes per season and have all or most be bangers than have 20+ and have to wade through the subpar episodes.
Right, but at the height of TNG (and DS9, to a lesser extent) you were effectively guaranteed somewhere between 0 and 2 bad episodes a season.
@onehellofausername @sarsaparilyptus
I’m pretty cool with subpar episodes. They still add to the world, and give me something to watch with characters I enjoy. Of the series I like(almost all of them), there isn’t a single episode I skip on rewatch. The “bad” ones bulk out the series and make it last longer.
yeah to each their own, but my feeling was that the subpar episodes gave them time for better pacing, and character development. With these 10 episode seasons it always feels like barely getting through the overarching story, no time for subtleties or good character development and background episodes. Some of my favourite TNG/VOY episodes are the ‘filler’ episodes where the world wasn’t ending and they just had a fun adventure.
Yeah, I hate this trend. If anything they should have moved from 24 to 52 episodes. Why not a new episode every week, forever.
The industry as a whole.
I really appreciate this deep dive that integrates the as yet unseen clips from the season trailers with the sneak peek for this episode. Well done Trek Central.
I was interested to see that this is a Maja Vrvilo directed episode. I have really liked her work on the Secret Hideout Trek shows. The article mentions SNW Children of the Comet, but she’s also directed some of the more tense Discovery and Picard episodes as well as the Short Trek Runaway. These include Discovery Perpetual Infinity and Die Trying, and Picard The Impossible Box and Broken Pieces.
Maybe a bit off topic, but where the f do you find promos for upcoming P+ episodes? I really miss that streaming doesn’t air them before the closing credits.
Alternatively, how about now?
They often don’t release them online until Wednesday, and even then it’s spotty.
After viewing the season trailer and the sneak peek, I became worried about Ortegas as well. Fingers crossed she doesn’t have anything happen to her, there is still a lot to develop for her.
We see Ortegas flying a shuttle in a combat style landing in the main trailer, perhaps she has a reason to stay with the shuttle (or prep it) even once Pike is in the big chair in his combat gear.
We were promised ‘MOrtegas’ in the messaging leading up to this season. Perhaps they didn’t want to reveal what’s coming for her.
I’m hopeful.
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