OpenAI now tries to hide that ChatGPT was trained on copyrighted books, including J.K. Rowling’s Harry Potter series::A new research paper laid out ways in which AI developers should try and avoid showing LLMs have been trained on copyrighted material.
So did I so what? Is my brain property of Warner now?
If you then use your brain to reproduce a traceable product based on copyrighted work owned by Warner and try to sell it, then you could be in violation of the law.
How do you know that guy isn’t an AI?
I suppose you could say I’m making a good-faith assumption. It’s possible that he is.
my point is still valid.
His point is equally valid. Can an artist be compelled to show the methods of their art? Is it as right to force an artist to give up methods if another artist thinks they are using AI to derive copyrighted work? Haven’t we already seen that LLMs are really poor at evaluating whether or not something was created by an LLM? Wouldn’t making strong laws on such an already opaque and difficult-to-prove issue be more of a burden on smaller artists vs. large studios with lawyers-in-tow.
but it’s irrelevant.
none of this is relevant in copyright law. the only thing that matters is who published it first and who is then using that copyrighted work for profit without first having gotten permission of the owner.
also irrelevant
laws are not written with the idea of whether on they’re hard or easy to prove as a consideration. also, your claims of such things being easy/hard to prove is a matter of opinion, and I don’t agree with you chain of deduction here. OpenAI admitted that Rowlong’s works (among many others) were used for training chatGPT.
also irrelevant, unless you’re arguing that, because it’s too difficult for small artists to defend their copyrighted work, they should just shut up and deal with it. currently, there is no legal precedent as to whether this is or is not copyright infringement, which is what a lawsuit like this is intended to set. For most, I would say, it Eem that it clearly is, for others, it’s not so clear.
Irrelevant. You will be assimilated. Resistance is futile.
If I read Harry Potter and wrote a novel of my own, no doubt ideas from it could consciously or subconsciously influence it and be incorporated into it. Hey is that any different from what an LLM does?
Your brain isn’t an AI model
OR IS IT?
You joke but AI advocates seem to forget that people have fundamentally different rights than tools and objects. A photocopier doesn’t get the right to “memorize” and “learn” from a text that a human being does. As much as people may argue that AIs work different, AIs are still not people.
And if they ever become people, the situation will be much more complicated than whether they can imitate some writer. But we aren’t there yet, even their advocates just uses them as tools.
How do you see that as a difference? Tools are extensions of ourselves.
Restricting the use of LLMs is only restricting people.
When we get to the realm of automation and AI, calling tools just an “extension of ourselves” doesn’t make sense.
Especially not when the people being “extended” by Machine Learning models did not want to be “extended” to begin with.
You should read this article by Kit Walsh, who’s a senior staff attorney at the EFF too. The EFF is a digital rights group who most recently won a historic case: border guards now need a warrant to search your phone.
But this falls exactly under what I just said. To say that using Machine Learning to imitate an artist without permission is fine, because humans are allowed to learn to each other, is making the mistake of assigning personhood to the system, that it ought to have the same rights that human beings do. There is a distinction between the rights of humans as opposed to tools, so to say that an AI can’t be trained on someone’s works to replicate their style doesn’t need to apply to people.
Even if you support that reasoning, that still doesn’t help the writers and artists whose job is threatened by AI models based on their work. That it isn’t an exact reproduction doesn’t change that it relied on using their works to begin with, and it doesn’t change that it serves as a way to undercut them, providing a cheaper replacement for their work. Copyright law as it was, wasn’t envisioned for a world where machine learning exists. It doesn’t really solve the problem to say that technically it’s not supposed to cover ideas and styles. The creators will be struggling just the same.
Either the law will need to emphasize the value of human autorship first, or we will need to go through drastic socioeconomic changes to ensure that these creators will be able to keep creating despite losing market to AI. Otherwise, to simply say that AI gets to do this and change nothing else, will cause enormous damage to all sort of creative careers and wider culture. Even AI will become more limited with less fresh new creators to learn elements from.
The system doesn’t get personhood, it is your tool, and as said in the article:
It is your right, not the system’s you’re upholding.
Exactly. If I write some Loony toons fan fiction, Warner doesn’t own that. This ridiculous view of copyright (that’s not being challenged in the public discourse) needs to be confronted.
that’s not exactly what’s in dispute— the prodcut that LLMs produce. That would probably be ruled as a derivative work under the DMCA’s “Fair Use” clause, and, therefore, public domain.
the issue at hand is that the company accessed the copyrighted material without paying for it and is now using that training to earn more money without fair compensation.
these language models or even proper AI can’t create original creative works the way a human can. The best it can do it create a pastiche or composition that simulates originality but is really just a jumble of recycled ideas that it’s been trained on. There’s a fair argument to be made that the owners of the copyrights of those pesos works are entitled to fair compensation, especially since, otherwise, AI will just be a tool used by companies to churn out profit off the work of others.
I think its more like writing a loony toons fanfic based only on pirated material
How are you gonna prove that I watched it on tv or torrented?
Can’t but theyre pretty open on how they trained the model, so like almost admitted guilt (though they werent hosting the pirated content, its still out there and would be trained on). Cause unless they trained it on a paid Netflix account, there’s no way to get it legally.
Idk where this lands legally, but I’d assume not in their favour
It’s honestly a good question. It’s perfectly legal for you to memorize a copyrighted work. In some contexts, you can recite it, too (particularly the perilous fair use). And even if you don’t recite a copyrighted work directly, you are most certainly allowed to learn to write from reading copyrighted books, then try to come up with your own writing based off what you’ve read. You’ll probably try your best to avoid copying anyone, but you might still make mistakes, simply by forgetting that some idea isn’t your own.
But can AI? If we want to view AI as basically an artificial brain, then shouldn’t it be able to do what humans can do? Though at the same time, it’s not actually a brain nor is it a human. Humans are pretty limited in what they can remember, whereas an AI could be virtually boundless.
If we’re looking at intent, the AI companies certainly aren’t trying to recreate copyrighted works. They’ve actively tried to stop it as we can see. And LLMs don’t directly store the copyrighted works, either. They’re basically just storing super hard to understand sets of weights, which are a challenge even for experienced researchers to explain.
No, because you paid for a single viewing of that content with your cinema ticket. And frankly, I think that the price of a cinema ticket (= a single viewing, which it was) should be what OpenAI should be made to pay.
I didn’t. I torrented it.