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Cake day: February 25th, 2024

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  • I can’t remember the name of the book now, but in high school we read a ‘true’ story of child abuse. I’m sure it was edited to both tone down and turn up certain elements, but it was pretty much a brutal shock to people who are mostly from decent families that love them. Whether the kids were rich, poor, or middle class in my school, just about everyone there could at least return home to parents that didn’t commit those horrors.

    I remember the diapers, the exposure to the elements, and the way the other children were pitted against the abused kid, and honestly? It was the emotional abuse that was the worst to read.





  • Inukami!

    It’s constantly lewd, silly, and is simultaneously an example of a harem anime and making fun of perverts. The series has moments that will make you cry from laughing so hard, and times when you get a little emotional, and then you’ll go “fuck yeah” as something cool happens. It sort of has the premise of ‘taming’ spirits and using them to battle bad spirits, but most of the time they end up fighting the over-aggressive nerd who gets a nosebleed around a girl.




  • I think it’s less “good jazz,” and more ‘jazz that fits the mood.’

    I don’t want to listen to thrasher metal when I’m sitting in an italian restaurant, introducing my date to the family, and I don’t want to listen to jazz when it’s inappropriate.* I remember reading the blog of the Doom soundtrack, and he talked about the difficulty in creating soundtracks because you have to take music that was meshed to visual, auditory, and psychological happenings and create ‘just’ a piece. Going the other way, how difficult must it be to take musical compositions and match them well to gameplay… it blows my mind that there are people out there who do it so well, because there are definitely games that I loved because it was just a perfect combo, and others where they were saved from mediocrity with the addition of the right sound.

    *Aside, I was trying to think an example of when jazz in a game was inappropriate, and couldn’t. Take from that what you will.







  • Yes, but if you listen to the ‘reviews’ now, all you’re getting is the regurgitated product description compared to the product description of the other contenders. Except instead of the two sentences that were the original description, you get a five sentence opening about the topic, Somewhere between 12-15 sentences about the product that don’t add anything relevant (repeat)^ (for each product), and then a conclusion that’s random, arbitrary, and probably influenced by money.

    At least with the older models I can see real information if I can find real reviews. If I have to extrapolate from there to today, I’m still better off.






  • Just look at the two paragraphs: "To be sure, millions of these petrified Americans believe the Democrats have gleefully allowed the “woke” left of their party to systematically destroy everything or every institution they depend upon for quality-of-life issues. Be those pertaining to energy independence, higher education, housing, the financial system, the supply chain, border security, the military, the medical and pharmaceutical industry, the media or entertainment. The woke left now dictates — with the blessing of Democratic politician enablers — that all must now be viewed and run through the distorted lens of identity politics.

    But when these same millions of hurting Americans turn their eyes toward a Republican Party that promises to reverse all the damage being done by the left, they see only out-of-touch elitists doing the bidding of the corporate elites, while breaking every promise made."

    If that isn’t the to-the-t playbook of ‘both sides’ in a more wordy format, I’ll eat my hat. It also manages to place the blame squarely on the democrats for their ‘wokeness.’ Somehow they’ve broken higher education, the financial system, the supply chain, ‘border security,’ the military… good god, what hasn’t been destroyed by ThE demOCraTS!