The sorry state of streaming residuals shows why SAG and the WGA are striking.

  • brygphilomena@lemmy.world
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    1 year ago

    Did you not get paid hourly or salary for the work? Your compensation package was different. Did you not have a steady job? Did you not know you were going in there next week?

    • lemmyman@lemmy.world
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      1 year ago

      I think the latent question here is - how were expectations and/or contracts for writers any different from hourly workers who have never expected royalties?

      • QHC@lemmy.world
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        1 year ago

        The previous comment did most of the work for you. Writers, actors, crew, and generally everyone involved in the entertainment industry does not have a salary gig like office workers. They aren’t working consistently–which has only gotten worse in the streaming era–and thus rely on royalties as part of their total compensation.

        So, in summary, they are completely different situations that cannot be directly compared.

        • whats_a_refoogee@sh.itjust.works
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          1 year ago

          There are freelance/gig workers in other industries. Programming has had a massive freelance market for ages. It’s practically unheard of for them to receive royalties, so it seems like you don’t need to rely on royalties.

          And writers do have a salary gig in the vast majority of cases. It’s just usually not a long term position. They are hired for the duration of the project, and then need to find something new.

          That’s not unique to writers or Hollywood at all. Many people are hired for the duration of a project, including managers, engineers, construction workers and so on. None of them receive royalties.